PRESS

“dynamic”

—Arts and Culture Magazine (Houston)
(writing about Por la Fuerza las Tierras)

“guttural, fricative, explosive tones, perfectly joined together”

—StarkInsider.com (SF Bay area)
(writing about Dipukų Rauda)

“emotional intensity” and “unrelenting rhythms”

—Examiner.com (SF Bay Area)
(writing about Dipukų Rauda)

“the score and dance were married in synchronicity”
“haunting”
“reflective”

—Houston Press
(writing about To the Brim)

“bold gestures which were by turn spiky, seductive, and almost romantically lyrical”

—Wales Arts Review (UK)
(writing about Por la Fuerza las Tierras)

“rhythmic and fast-paced”

—Interlude.hk (Hong Kong)
(writing about Round and Round)

“full of drive and energy”

—Western Mail (Wales)
(writing about Por la Fuerza las Tierras)

“chilling in its pondering simplicity”

—Dance Source Houston
(writing about To the Brim)

“jazzy”
“languid, swooping lines”
“the energetic, crazed finale concluded (literally) with a bang.”

—The New York Times
(writing about Trio for vln/vlc/pno)

“meticulous use of percussion not as a motoric driver, but rather as a color palette.”
“Here and there, fleeting sonic ghosts from another time”

—La Jornada (Mexico)
(writing about Impact)

“well-designed textural energy”
“calculated bursts of sound”

—Peninsula Reviews (Monterey Bay area)
(writing about Impact)

“a keen understanding of the orchestra’s essential resources”

—Performing Arts Monterey Bay
(writing about Impact)

“rollicking spirit”

—Seen and Heard International
(writing about Por la Fuerza las Tierras)